The Revolution Will Not Be Televised, But It Will Be Likable?

By Pramila Baisya

An essay covering how revolution looks in a social media era and discovering the adverse harm specifically when it comes to understanding infographics.

Graphic by Caitlin Du

 

When you’re scrolling through Instagram and you see new human rights issues beginning to trend through a steady stream of infographics, do you as a consumer ever stop to wonder why? This week all hands are on deck regarding #FreePalestine and #FreeSheikhJarrah, despite the oppression of Palestinian people going back decades. Before this, last week India’s oxygen shortage amid their second wave was trending, before that protests in Colombia, before that Black Lives Matter and the list goes on. Let’s not forget that U.S. troops still have a presence in Afghanistan (which was an unnecessary war). 

The point I want to highlight is all of these struggles are connected to one another, and it is critical to assess the connections of oppression between them and actively question the imbalances of power.

The point I want to highlight is all of these struggles are connected to one another, and it is critical to assess the connections of oppression between them and actively question the imbalances of power. They are not separate from one another, and should never be discarded as “last week’s news”. If something such as the oppression of Palestinian people stops trending on Instagram and Twitter, that does not mean the conflict or the trauma of people ends there.  More than that people’s lives and the varying degrees of oppression are not trending topics to be consumed. A platform like Instagram has a tendency to conjure the creation of infographics, to sum up very nuanced lives of people into square posts and illustrations. These infographics dehumanize the people it claims to support, making their struggles into concepts. 

Via: Instagram @mariebeech

I have written about infographics and the harm they cause in the past but am looking to shift gears with this piece to assess what it means to support a “trending cause”. When you re-share an infographic to share your solidarity with a marginalized or oppressed group, not only is Instagram capitalizing off your data with this, but it brings attention to you the user instead of the bigger picture which is the people at risk. Why on these platforms do we as users feel a need to express solidarity and empathy, when we should have empathy regardless if we engage on a platform or not? Why is there an urge to express support of a certain group only when it trends and more importantly who are we doing it for? For example, by expressing solidarity for Palestine, or Black Lives Matter through infographics, you are bringing the attention to yourself for validation from your peers who are not of that marginalized group. The sharing and resharing of these don’t help the individuals going through their respective struggles. 

When you re-share an infographic to share your solidarity with a marginalized or oppressed group, not only is Instagram capitalizing off your data with this, but it brings attention to you the user instead of the bigger picture which is the people at risk.

The problem with social media as yet another tool is that it doesn’t enforce the difficult conversations and bias that we need to address if change truly wants to happen. With infographics on Instagram, the research for people tends to stop there. What fails to happen is understanding individual stories or generational stories, ones that don’t need research of fact to corroborate their experiences. The word “info-graphic” itself indicates that all it will do is present information as if only facts surrounding the conflicts are all we need to know. While these info-graphics are accessible, easy to read, and save you time on gathering information, they cannot be an end all be all to understanding very complex topics. All conflicts may be painted as black and white, that does not mean the effects on people’s lives are black and white. 

Via: Instagram @soyouwanttotalkabout

What fails to happen is understanding individual stories or generational stories, ones that don’t need research or fact to corroborate their experiences.

Furthermore, depending on the page you are on a lot of these infographics take a neutral stance, as if removing themselves from the issues altogether. While information needs to be presented accurately, factually that does not mean it has to be presented robotically. Removing empathy from the issue at hand is dangerous because it created a disconnect from the user liking it to the people who are oppressed and marginalized. These infographics are a good start if you need basic facts on a particular topic. However, they will not lead the revolution. The real changes happen outside of a social media platform through mutual aid groups, and mass protests, things that the media would never show. The Revolution will not be televised is a song and spoken word poem by Gil Scott Heron that covers how as individuals we would never see the real revolution if we’re glued to our television. His lyrics still stand true, making me wonder how if the revolution will not be televised why would it likable.

The Revolution Will Not Be Televised

About Pramila Baisya

Pramila Baisya
Pramila Baisya

Pramila Baisya is a 3rd Year Writing student at The New School. She is an editor for the school’s Her Campus Chapter, and interned at Bowery Poetry Club. She currently contributes to Street Art United States. She is also a freelance photographer skilled in Adobe Lightroom and Adobe Photoshop. 

“Hi there I’m Prim! Your friendly neighborhood writer, photographer, and overall film connoisseur! Come along on this journey, I don’t know where it will lead! Enough said I hate writing about myself, enjoy my work!”

Check her writing portfolio: https://pramilabaisya.journoportfolio.com

Fotography website: https://www.primsfotography.com/

Special Pride 2021: How Queerness and Creativity Will Save Us.

by Pramila Baisya

On the occasion of Pride Month 2021, we revisit the Special Pride Episode of #CreativityWillSaveUs, our series where prominent figures from the world of art, entertainment & business unite to reflect on the central value that creativity brings to humanity during the challenging times of the COVID-19 pandemic emergency. 

Pride 2021
#CreativityWillSaveUs Special Pride Episode. Watch it on Youtube HERE.

What does pride mean to you? The first image that is most likely to pop in your head is a rainbow flag. The pride parade is filled with individuals who both identify as queer or allies proudly waving the flags throughout the month to represent the proud visibility and ongoing resilience of the queer community. However it is integral to access, where does pride truly come from? How do queer individuals overcome self-hatred, imposter syndrome, ostracism, and quite often disapproval from their families? The answer lies in creative outlets. 

But How When Why? 

The first part of this episode of #CreativityWillSaveus is a segment taken from Slap & Tickle, a play written by Award-Winning Author David James Parr, telling a sweetly ill-fated love affair featuring a gay man and a transgender woman. The piece was recorded in quarantine and is part of the Pride Plays Series 2020 co-produced by Actor Michael Urie. Actress Pooya Mohseni plays the character of a transgender woman who chronicled the first stages of coming out as a trans woman. Her monologue covers common questions such as how, when, and why? Instead of fixating too long on these empty questions, her side of the monologue ends with “the dress now fits.” 

“I’m glad I almost fell in love with you.” The heart wants what it wants. 

From Slap&Tickle by David James Parr

Actor Sebastian LeCause plays the part of a gay man who eventually romances Ms. Mohseni’s character. He comically recalls how he tried coming out to his Dad by saying he likes Han Solo and his father, not understanding what he meant. The play continues to play on themes of intimacy, courage, and love, things many queer people fear they will never experience. Their journeys have them star-crossed and by the end, they both share an equal sentiment: “I’m glad I almost fell in love with you.” The heart wants what it wants. To watch the full Pride Plays Series video, click HERE.

#CreativityWillSaveUs takes on a new rendition when it comes to discussing art not only created during a pandemic but also as a means of expression for queer artists. Many allies don’t consciously realize that growing up queer means losing a part of your childhood because you could not grow up fully expressing yourself. Creativity at an adult age however is a reclamation of that childhood, allowing full expression of the stories that need to be told. This and other urgent and timely topics for the LGBTQ+ community today we discussed through two-panel conversations with he protagonists of the #CreativityWillSaveUs Special Pride Episode, hosted by Creative Point-On editor-in-chief Tommaso Cartia, and artistic director and business strategist Daniela Pavan.

Quarantine granted everyone regardless of sexual orientation the unique freedom of boredom which singer-songwriter Erene Mastrangeli spoke about. 

Creativity at an adult age however is reclamation of that childhood, allowing full expression of the stories that need to be told.

Erene Mastrangeli spoke in this interview about refinding your gifts and creativity.  “Our gifts are necessary to contribute to the evolution of humanity.” She dove into why, as a musician, “boredom” can somehow become a great resource for an artist, because she could play the piano or write a song simply to pass the time. From that moment of stasis, Erene was able to unexpectedly release a song called “Treasure”, which extends hope that all of us need to find the treasure within us to keep humanity going. 

#CreativityWillSaveUs Special Pride Episode – Interview with the Protagonists Pt. 1

Producer & actor Robert Driemeyer spoke about Judy Garland and the history of bars in New York and how they often turned down queer patrons. In his segment he gave an important explanation regarding the 1969 Stonewall Riots, and why he decided to simply make a special rainbow cocktail for his Broadway Barfly – a weekly video-series that pairs theater lore with classic cocktails and historical context. “The rainbow cocktail is communal. What is better than sitting down and having a drink with someone?” Explains Robert during the conversation. It is such a simple pleasure that was denied to queer folks before our time, and this disconnect in community with social distancing in the covid era, is one that queer folks worldwide had to deal with unfairly. Queer liberation continues to charge on and now many are afforded the privilege to enjoy this pleasure and company.

“It’s wonderful that our stories can bridge together because none of us live on an island”

Pooya Mohseni

Actress and Trans Activist Pooya Mohseni spoke about her character in David James Parr’s play saying, “It’s wonderful that our stories can bridge together because none of us live on an island,” in regards to portraying a trans woman in a gay man’s story. She brought up how often trans people and their stories do not have a “traditional” place with queer stories as a whole and being part of this project was a step forward in bridging a gap between different people of the queer community. 

#CreativityWillSaveUs Special Pride Episode. Interview with the Protagonists. Pt. 2.

The #CreativityWillSaveUs Special Pride Episode also featured: Photographer/Cinematographer and Digital Artist Claudio Napoli, who decided to fill the emptiness of the NYC’s streets that this year, for the first time since 1969, will not see their proud LGBTQ+ community marching for its rights, with an inspirational recollection of the last three Pride that he participated in; Photographer Thomas Cluderay who gives us an exclusive peek on the Washington D.C. quarantine, where he lives, through his collection “Stoop Sessions in the COVID Age” and from Fort Lauderdale, Miami, actor Larry Buzzeo who performs one of his favorites cheerful tunes, What a Wonderful World, part of his “Quarantine Karaoke”. The backdrop for the performance is a beautiful walk on the Fort Lauderdale beach that Larry recorded last summer, wishing for the world to safely reopen its wonders.

This pride month after a year long pandemic offers a unique time and perspective in creative expression. As things reopen and we adjust to a new normal, more inclusive and unique stories are finding a place at the forefront. Queerness continues to expand and evolve in its expression, and the fight for liberation is unstoppable. Queerness combined with creativity ultimately can and will save us.  

Thirsty for more creativity? Point out our #CreativityWillSaveUs Series Phase 2 here below, with tons of conversations with prominent artists from all over the world. Ready, Set, Imagine!