Mauro Porcini – “Creativity Is The Answer”

On the occasion of the launch event of the first book by Mauro Porcini – SVP & Chief Design Officer of Pepsico – our editor in chief Tommaso Cartia had the chance to converse with the entrepreneur sharing precious tips for the creatives and the innovators of tomorrow. The event was wonderfully hosted by journalist Francesca Di Matteo, Founder & CEO of the Our Voices broadcast and StrategicA Communication at the enchanting Pinko Boutique in Soho. Special attendees at the event were Mr. Fabrizio Di Michele, Consul General of Italy in NY, and the Director of ITA – Italian Trade Agency – Mr. Antonino Laspina

By Tommaso Cartia

Mauro Porcini
Journalist Francesca Di Matteo in conversation with Mauro Porcini during the book launch event at Pinko Boutique in NYC. Photo by Francesca Magnani

“This day for us is about rebirth,” exclaimed with pride and emotion Francesca Di Matteo presenting StrategicA Communication’s very first in-person event after one and a half-year of pandemic. And it was, truly, a day filled with trepidation, also for me getting dressed and happily ready to experience again the aliveness of a community getting together to share ideas and perspectives for the future, shaking hands and exchange those vivid glances, thirsty for life, and those smiles, that could reassure you, that perhaps, the worst has been left behind. Not even the violent tropical storm that flooded the NYC’s subway on that day, intimidated or tamed the urgency to be together of the more than 100 guests who bravely traversed Manhattan to be present at the event. And the occasion to listen to Mr. Porcini talk about creativity, innovation, and the future of our business models, was certainly, unmissable, for everybody and particularly for us of Creative Point-On who have been “starting up” our business venture not too long before the pandemic hit. How many times, during this still time of our lives and our economy, have we thought about the concept of starting up, of starting over, how many times during this interminably long year have we stumbled and started all over again?

Mauro Porcini
Mauro Porcini’s book; “L’ETÀ DELL’ECCELLENZA (THE ERA OF EXCELLENCE)”. Photo by Francesca Magnani

“Creativity Is The Answer,” that’s the first thing that catches my attention when I’m introduced to Mauro Porcini for our interview, a sentence written in cubital, sparkling letters on his sweater. A sentence that resonates, profoundly, with the philosophy of our company. During the pandemic, Creative Point-On produced a web series entitled #CreativityWillSaveUs, an initiative born to support the artists’ community during the lockdown, and “creative” is the fundament of our name and business identity. It really feels like this encounter with Mr. Porcini should have happened somehow, sometime, and I’m very happy that it happened now, now that we all need, more than ever, to start-up and think about creative ways to take our next steps into the future.

“We need to be students of life and students for life”

Mauro Porcini
Consul General of Italy
Fabrizio Di Michele, Consul General of Italy in NY, takes the stage to congratulate Mauro Porcini. Photo by Francesca Magnani.

I’ve never met Mr. Porcini in person, although of course I’ve been knowing him by his exceptional professional journey and I’ve been fascinated by his entrepreneurial story and rise to success. I think that any upcoming entrepreneur who is serious about his/her career today should study Mauro Porcini, and I’m confident that his book: “L’ETÀ DELL’ECCELLENZA – THE ERA OF EXCELLENCE”; will be that trusted companion in the development of any contemporary enterprise. I have a feeling that it will serve the same purpose to the future generations that Steve Job’s book served to Mauro Porcini when he was an upcoming entrepreneur himself.

What struck me about Mr. Porcini when we started talking was his kindness, his politeness, his flowing rhythm in responding to my questions, his poised elegance and those vivid eyes, thirsty for life, and that smile that can reassure you that, perhaps, the worst has been left behind.

Full house at the Pinko Boutique during the event. Photo by Francesca Magnani.

“One should always feel curious and receptive, 24 hours a day.” Tells me, Mauro, when I ask him what kind of tips would he give to young entrepreneurs. “We need to understand the shades of trends and how they change. Some macro trends have been gone on for quite a while, the pandemic has accelerated them. For example, the health & wellness field, or the personability of brands, digitalization, sustainability, and many more. We need to understand this acceleration and what could be the unique point of view. Often the unique point of view is offered by technology. For example, in our field, food & beverage, we are now utilizing wearable technology that monitors your body and gives you tips on what you should eat or to make your beverages personable, based on your taste, but also your emotions and physiology.”

But technology per se is not sufficient, and it shouldn’t and it can’t be disjoint from the human factor: “This is what my book talks about. You can’t just commission a market research or go online and read stuff on social media or blogs, you need to be there, “on the road”, you need to be present and understand what it is happening. To rely just on the A.I. without the human factor and our ability to interpret and decode what we read in the data, it’s a limit.”

“To rely just on the A.I. without the human factor and our ability to interpret and decode what we read in the data, it’s a limit.”

Mauro Porcini

And for Mauro Porcini, “Creativity Is The Answer” to this decoding. “If you don’t work on yourself, on your education, on your training, if you don’t nurture your natural talent you will not get anywhere. In my book, I talk about the inventor of the IQ test who says that people who have been properly educated, formed, who study a lot, can even increase and surpass the ones who have a hereditary IQ higher than them.”

Mauro Porcini
Mauro Porcini signing a copy of his first book. Photo by Francesca Magnani.

A native of Gallarate, a city and comune of Alto Milanese, close to Milan, Mauro Porcini has a strong humanistic and classical formation, which is the quintessential and most distinctive trait of the Italian Renaissance culture. That educational foundation has been for Porcini an inexhaustible resource of inspiration but also a model, a way of living, a modus operandi.

Mauro Porcini
Mauro Porcini with Francesca Di Matteo outside the Pinko Boutique in Soho NYC. Photo by Francesca Magnani.

“We need to be students of life and students for life,” is, in fact, the motto that he coined and it is one of the fil rouges of the book: “We need to be students of our life and the life around us, we need to analyze the past and attempt to decipher the present. Curiosity, humility, and kindness are the keys to be truly successful.”

These are some of the traits of the so-called “unicorns”, a term with which Porcini metaphorically identifies the innovators of tomorrow. “Many make the mistake to think that once they achieved some sort of success, they know everything and they are done learning. I see this as a sign of weakness, because you fear that if you don’t prove to yourself and the people around you that you know everything, you lose credibility. On the contrary, I believe that strong people, who have great confidence in themselves, are not afraid to ask things, to a collaborator, to a child, to the people in the streets. When you start asking questions nurturing your knowledge every day, your business will naturally grow stronger. We should be, indeed, students, for life.”

Waiting for Mauro Porcini’s book to be soon released in English, entrepreneurs of all ages will now have in their hands another essential book to treasure in their “students for life and students of life library” to co-create all together this new era of excellence.

Wirth Galerie Opens in NY. A Cosmopolitan ‘Art’ in the Heart of Manhattan.

Curator, artist, writer, and collector Sabrina Wirth infuses her worldly sensibility in this intimate salon-style gallery that challenges the COVID times opening new bright horizons for the art market.

By Tommaso Cartia

Sabrina Wirth with Artist Gabriel Ortega, the protagonist of the first exhibition at Wirth Galerie. June 3rd, 2021

A childhood dream come true thanks to that resilience that is forged in true passion – Wirth Galerie is an art oasis in the heart of New York that welcomes you into the marvelous life’s journey and the imaginary of its curator, Sabrina Wirth, a life-long New Yorker who had the chance to travel the world since she was a little kid and spent 6 years of her life in San Miguel de Allende, Mexico.

On June 3rd, as New York slowly remerges from the restrictions imposed by the COVID-19 emergency, Sabrina opened the doors to a selected group of art lovers to give the world the first taste of this enchanting space inspired by the intimate “art salons” from the days of Peggy Guggenheim“Wirth Galerie is a collaborative space for the positive exchange of ideas and for connecting people through art and design from around the world. When creative minds come together, anything is possible”. Stated Sabrina Wirth introducing the gallery. And that atmosphere was certainly palpable during the opening event that presented the “Superheroes” series by Colombian artist Gabriel Ortega.

Gabriel Ortega
Superheros in Istanbul 2017 Acrylic paint, gold foil, canvas 32.5” x 32.5”. By Gabirel Ortega

Gabriel Ortega’s pieces were truly the perfect opening to identify the DNA of Wirth Galerie, with their unique blend of Western and Eastern culture, an art that audaciously displaces iconographies to construct new surprising narratives. “Ortega’s work combines painting with sculpture, making each piece a little scenario in which superheroes entrusted to any mission or presented as cult figures stand out.” States Sabrina Wirth presenting the exhibition. “His technique has an impeccable finishing touch with polished outlines and surfaces of pure color, influences by the ligne Claire (Claire line) comic style. The use of Tintin, the main character in the work of Ortega, is intended to show the iconic connotations of the character: moral values, and an unwavering determination to complete a mission. So, when Tintin embodies embodies a superhero or a Saint, it is intended to indicate that the mission is in good hands.”

Adventurous, bold and, inquisitive, Sabrina’s approach to the art market is fresh and yet nostalgic of the way pioneer collectors like Peggy Guggenheim changed the game and the history of modern art collectors with their bohemian, fearless aesthetic, and that innate flair for talent that turned niche artists into global phenomena.

Although just opened, Wirth Galerie has a lot on its plate already: “Next I will be exhibiting the work by Stephen Hannock and there will be film screenings at the gallery and then an exhibition of Mohamed Yakub‘s photographs inspired by Calatrava’s Oculus.” Tells us Sabrina.

Sabrina’s electrifying enthusiasm as she toasted to the realization of her dream, her warm smile, and her sparkling eyes leaned towards the future of her artistic enterprise, is what NYC and the world need right now to never stop believing that yes, creativity will and can save us as we co-create, all together, our Imaginarium of tomorrow, not a new normal… but a new exceptional like Wirth Galerie promises to be. 

More About Sabrina Wirth & Wirth Galerie

Sabrina Wirth
Sabrina Wirth posing at Wirth Galerie

Before considering myself a “lifelong New Yorker”, I spent the first 6 years of my life in San Miguel de Allende, Mexico, surrounded by art and artists everywhere. It is no wonder I absorbed this love for art, which has become a passion and obsession: it was a major part of my childhood. I have been since deeply fascinated by the art market, and the psychology behind art, value creation, and the stories that make up this world. At Williams College, I developed my knowledge of the history and practice of art, and later studied the business side with a Masters from Sotheby’s Institute of Art. My first business, upon graduating, was an art advisory company, Helac & Wirth, later Wirth Art Advisory, with which I curated exhibitions in multiple non-traditional (and under-utilized) spaces within New York City, a pioneering concept back in 2009. I have worked as the first Chief Curator for the art startup IndieWalls, upon recommendation from a former SIA mentor, and have written about art exhibitions and profiled artists in the following publications: The Art Newspaper, Cultured Magazine, The Economist, Musée Magazine, ArtObserved, and Bal Harbour Magazine among others. I am a curator, artist, writer, and collector. Combining my experiences, along with my continued interest in seeing how the art world is evolving, I would like to share my world with you.

For more info check: www.wirthgalerie.com

Thirsty for more creativity? Sabrina Wirth is also the host and guiding voice of our #CreativityWillSaveUs Podcast series! Check it here below and ready, set, imagine!

Ballet Has Never Been This “A-LIVE”

Herman Cornejo, Principal Dancer of the American Ballet Theatre, partners up with the visionary genius of photo-artist, director, and documentarian Steven Sebring, to launch his newly created dance company, D A N C E L I V E, featuring some of NYC’s most talented performers. An innovative and epiphanic concept that transfers and transforms the ballet art form into a digital, live and hyper-realistic immersive experience.

We sat down with Herman Cornejo for an exclusive interview on the eve of D A N C E L I V E first show: “New York Alive”. The Virtual World Premiere will be up this Saturday, January 30, 2021, 3:00 pm EST. Streaming on @veeps
By Tommaso Cartia

Herman Cornejo and Skylar Brandt
Herman Cornejo and Skylar Brandt in “New York Alive”. Photo Credit: Steven Sebring.

N E W Y O R K C I T Y I S D E A D
But is it really?

This is an example, of one of the many, scary headlines we have been bombarded with since the beginning of the pandemic, slowly pulverizing our hopes and dreams to go back to the so-called “normal”. N O R M A L again, a kind of ordinary word, suddenly turned into a headline. The COVID-19’s narrative is a sort of “normalized” “all is lost” narrative, which is the stage, in the traditional hero’s journey – from Homer to Star Wars – where the protagonist shifts their pursuit of what they want to the realization of what they need. It can stop them dead in their tracks, but it’s also the point of the story which is instrumental to the triumphant return, the victory, and the final apotheosis of the hero. The artists have always been, throughout history, our heroes, pushing the boundaries of what’s possible, envisioning our next steps into the future of our evolution. So yes, in this “all is lost” phase that we are living, we want to go back to New York’s theaters, but what we need is to never stop dreaming, while we get back there. 

Herman Cornejo and the Sebring Revolution multi-dimensional media company of Steven Sebring are going beyond “normal”, into the territory of the extraordinary. With the D A N C E L I V E company they are already making brand-new headlines and building brand-new narratives promising to nurture that need to attune ourselves to those dreamlike frequencies of the soul, only transcendental forms of art can activate. Their first installment, “New York Alive”, is indeed that headline we all needed to read. The immersive dancing experience features, alongside Herman Cornejo, ballet sensation Skylar Brandt in new works by choreographer Josh Beamish, and will be streamed this Saturday, January 30th, 2021 at 3:00 pm EST on the @veeps platform. Tickets available here https://sebringrevolution.veeps.com

Sebring Revolution Presents: DANCELIVE by Herman Cornejo! Saturday January 30, 2021 on Veeps.!

Dive into the D A N C E L I V E company with our exclusive conversation with Herman Cornejo, and “welcome to the future of ballet”. 

When and how did you come up with the Dance Live concept? 

I started writing about this project in 2018. I wanted to create a live reality show about the dance world. I have been thinking for a long time that many people may be interested in the real-life and the work process of dancers: from class to rehearsal, to actual creation, that would be streamed live, meaning with no cuts, recording everything that is happening with no additional editing. I thought it was possible to do something artful and entertaining at the same time. Now, with the pandemic and all performing activity stopping, it was the perfect momentum to pursue it. I contacted Steven Sebring and shared my idea with him, since he is a genius of the visual arts, and I was thinking of something very innovative. His perspective gave me a whole new scope in terms of the technology we could have used to channel it.

Introducing DANCELIVE with HERMAN CORNEJO! By Sebring Revolution

This project promises to be visually groundbreaking, something totally new for ballet. What can you tell us about its uniqueness? 

The visual uniqueness of this project resides in the system Steven Sebring created to record movement in 360, which allows us to capture and transmit any dance through virtual and augmented reality. In that sense, we will not only have a video as we all know it, we will also have many other interesting media products coming out of the production, which take advantage of the latest visual technologies through which we can show the dancers’ work.

Tell us about your artistic collaboration with visual artist and director Steven Sebring? 

Just to clarify, I am the director and creator of the project D A N C E L I V E project. I contacted Steven to present this idea to him to see if he wanted to collaborate with me on this project. Steven leads Sebring Revolution, and he is directing all of the films and how the visual material should be presented. I am in charge of organizing the part related to dance: from dancers and choreographers to the music, costumes, and the whole dance show. Steven brings the technology and the visuals into play to interact with my ballet and dance art form.

Joshua Beamish
Herman Cornejo with choreographer Joshua Beamish. Photo Credit: Steven Sebring.

What about the other members of the company? Tell us about the extraordinary ballet talents involved in the project. 

The talent will always be different as this company, for now, will work “project to project”. For “New York Alive”, I invited Skylar Brandt to be my partner and Joshua Beamish to be the choreographer. I am beyond happy I chose them. They deployed not only their amazing talent as artists, but they also showed amazing support towards this project. They are amazing people.

How will the world be able to enjoy Dance Live? On which platforms will it be available? 

We are working to have our own platform at the Sebring House, which is a totally virtual gallery/theater where the user will navigate as if you were in a video game. Right now, we organized one first show to be broadcasted on the platform VEEPS. It will take place on January 30, 3 pm ET. Tickets are available at this link https://sebringrevolution.veeps.com. More info about the project and this show is available at this link https://sebringrevolution.com/dancelive

Herman Cornejo & Skylar Brandt. Photo Credit: Steven Sebring.

For Herman Cornejo, what will be the future of ballet after the containment of the COVID-19? 

I believe the arts will go back to theatres and museums, but there are going to be so many new tools. My company will be another option to enjoy dance in a virtual way. Also, the choreographies created for D A N C E L I V E will be able to be performed in a theater, live, in front of an audience as well as they have been set into a virtual environment. There is that sort of versatility attached to the project. Also, everything recorded for D A N C E L I V E will be an educational asset. The 360 images can be very helpful for students and teachers to analyze dance steps in an interactive 360 imagery. 

To know more about Herman Cornejo and his 20th anniversary with The American Ballet Theatre, listen to our podcast interview here:

Watch Herman Cornejo’s contribution to our #CreativityWillSaveUs Series:

ON-Poetry Presents “Jupiter Rising” by David James Parr

Jupiter

We inaugurate our ON-Poetry column featuring the second video from the new book by David James Parr – PERSONAL TRAINING: poetry & exercise tips

The video-poem “Jupiter Rising” is read by the author and shot around various locations in NYC. PERSONAL TRAINING is now available on Amazon and Kindle. Please enjoy here below both the video and the poem.

Enjoy the video Courtesy of David James Parr Fiction Official Youtube

Jupiter Rising

David James Parr
The book is available now on Amazon and Kindle.

Steady as my glass that just fell off of the table—

don’t worry it wasn’t full—

and what phase of the moon are we in now?

which tide just got pulled?

Today I felt all bitter and fucked up

like a poem by Dorothy Parker

brittle on the outside

but fragile at the core

They say Jupiter is visible tonight

but I can’t see it through all this rain

On 9th Avenue the boys are cruising one another

            and they’re all starting to look the same.

So Jupiter is rising high 

in the cloudy sky tonight

Michaelangelo must have spilled his paints again

leaving us this pearly drop of light.

Today I felt like a Henry James heroine

crafty and unfulfilled

dreaming of a perfect match

                                    in a rudely imperfect world.

In my back pocket I have a business card

from—I think his name was Ed?

He works in technology

but I didn’t hear a word he said.

I was only thinking how the way he held his glass was sort of like

the way you held my wrist in the movie theatre

stroking up and down as if I might break

stroking up and down as if I might purr.

Tonight I felt like a French film star

leaving by the back door

I’d tell you la raison porquoi

                        but then again, what for?

Can you see Jupiter from where you sleep?

Can you see it from his bed?

In my back pocket I have a business card 

—I’m sure his name was Ed.

Today I felt like a ballad by Adele 

all bittersweet and corny

distraught and crying out your name

            yet deep down just plain horny.

Jupiter is visible again tonight 

impersonating a star

like a drag queen on a good night

think we could get there by car?

And how long before it twirls around?

Blinking its big red eye

How long before it rolls back over?

to a completely different sky.

About the Author

David James Parr
David James Parr lensed by Shushu Chen

Writer David James Parr was born on a cul-de-sac in suburban Ohio and grew up on a farm in rural Pennsylvania, where he learned how to spell “cul-de-sac” and to mispronounce “rural”, respectively. He is the author of the novels Violet Peaks and Beauty Marksas well as the collection How To Survive Overwhelming Loss & Loneliness in 5 Easy Steps: Stories. His title story How To Survive Overwhelming Loss & Loneliness in 5 Easy Steps was chosen by Michael Cunningham (The Hours) as one of the Top 10 Stories in The Tennessee Williams Fiction contest, and is included in the anthology The Best Gay Stories of 2017. David’s story Mata Hari was also selected in 2015 as one of the winners of The Tennessee Williams Fiction contest. David’s plays Slap & TickleAlbee Damned and Pluto Is Listening have been produced all across the U.S. including Chicago, Dallas, New York, Provincetown and St. Petersburg, and his play Mimi at The 44th Parallel was a Top 10 Finalist in The Austin Film Festival’s 2019 Playwriting Competition. His fiction has appeared in Saints + SinnersMosaic and Feminisms. His play Eleanor Rigby Is Waiting was made into a film which premiered at the 2019 Manhattan Film Festival, winning Best Independent Feature.

Unlocking & Unmasking With the Powers of Art & Creativity

Letter From Our Editor in Chief Tommaso Cartia

Marco Gallotta
NYC-based Artist Marco Gallotta Masks Series – A tribute to all our first responders.

New York, May 20th, 2020,
how long have you been locked down? A couple of months? Is it really just a couple of months, or have we been living in stages of lockdown, on and off, since our life’s journeys began? Have we escaped? Have we tried to escape? With our bodies, with our minds, with our souls? Have we experienced freedom or are we still excruciatingly mingling with self-imposed or super-imposed imprisonments? Do we know that is our Self who is Super and has Super-powers? Are we aware of the superpower of our creative minds? Do we know that the Creation is never completed until we co-create it and expand its marvels with the pyrotechnical visions of the worlds we wish to live? 

How Long Have I Been Locked Down?

Tommaso Cartia
Tommaso Cartia – Editor in Chief of Creative Pois-On’s Storytelier.

That was one of my first thoughts when the surreal and yet super-real atmosphere of this global pandemic started clouding our vision and super-impose itself on our daily lives. Why was this atmosphere so familiar to me, where and when did I experience it? If I detected the origin of this feeling, could I have recollected how I dealt with it before, and what helped me to escape? The brutal desolation and isolation, the sorrow and the despair, with which this sneaky and virulent virus is paralyzing and polluting both our bodies and consciences, brought back virulent paralyzing and polluting memories.

Masking – An Old Habit
This is certainly not the first mask I’m wearing, and masking is a fashion that really never went out of style. How many times was I forced to wear a mask; a mask on my eyes for the worlds I wasn’t allowed to see or reach, a mask on my mouth for the words I wasn’t allowed to say, a mask on my heart for the feelings I was not allowed to express. How many days and nights, locked-down in a room wishing on lives, wishing on far-away lands and emotional landscapes I so wanted to walk in, fear-free, mask-free.

Free.

Art & Creativity – Compass of Our Lives
What helped me survive that isolation? What helped me expand my vision, my senses, and bring reality closer, shaped exactly how I envisioned it? It was Art, always, there were the artists, the mentors, the writers, the muses, injecting my mind with their purposeful creations. Art and Creativity are the compass of our lives, the sails unfurled navigating towards the ends of any horizon, transporting us through dimensions, unlocking all locks, unmasking all masks. 

With the same instinct that brought me to cling on to the artists to survive my many lockdowns and experiencing the life I’m leading today, we at Creative Pois-On felt that we needed to cling on to the artists to understand this very challenging time that we are facing, find in them guidance and find with them the time to rediscover how our own creativity can lead us to phase 2, 3, 4… of our future. As we are finding new measures to contain the spreading of this virus, and we are looking for effective treatments, the testimony of the artists of our times living through this pandemic, can give us creative measures to contain the spreading of our fears and treat our minds and souls to re-design the more sustainable world of tomorrow, humanly, ethically, economically. 

That’s why in the midst of all of this we launched a special project –#CreativityWillSaveUs

#CreativityWillSaveUs – Enjoy our Web Series on Creative Pois-On Official Youtube Channel.

A video/podcast series and social media campaign – nominated for the prestigious United Nations SDG Impact Awards – where prominent figures from the international world of art, culture, and entertainment come together to reflect on the central value that art brings to all humanity during these challenging quarantine times of the global COVID-19 pandemic. The initiative is also designed to support the global community of artists who are seeing all of their venues temporarily shut down to safely prevent the spreading of the Corona Virus.


Listen to the Podcast Series Here below:

Creative Pois-On thinks that this is the time to go back to basics, to the essential DNA of its mission: “More than 7 billion people are living on Planet Earth. Every single one of us is like an isolated island, a polka-dot (Pois, in French), seemingly disconnected from one another. Laptops, smartphones, and social media provide technological bridges, but the storylines we channel are the real threads for all of the living polka-dots around the world to truly connect in this infinite maze.” 

These words sound so incredibly current and important in this climate of fear and transformation. So Creative Pois-On thought to channel the extraordinary, talented voices of some of the artists whose stories and creations have been enriching the pages of the platform, both on the Creative Pois-On Podcast show, the editorial project – Storytelier – and the Creative Pois-On Official Youtube Channel. The reach extends beyond these outlets, enlarging CP’s tentacular maze to embrace a constellation of a different variety of artistic expressions and artists. All together they raise a voice that can break through these walls of isolation sending everybody a positive message that #CreativityWillSaveUs and that we can spend this time making the most out of our creative powers.

Follow us on this journey with the goal to find ourselves renewed and ready to soon unlock not only the doors of our houses but also the ones of our intuition, when this virus will dissipate and we will be asked to co-create the world of tomorrow, mask-free, fear-free.

Free. 

Ready, Set, Imagine!

Tommaso Cartia



Interview with Refik Anadol – A.I. and Machine Hallucination: The Fourth Version Of Imagination

Refik Anadol
Processed with VSCO with 1 preset

Few people in the world can say that they’ve seen it all. Refik Anadol has done much more than that: he has created more. His body of work locates creativity at the intersection of humans and the machines. Media Artist, Director, and Pioneer in the aesthetic of artificial intelligence, Anadol paints with a thinking brush, offering the radical visualizations of our digitized memories, along with expanding new possibilities of architecture, narrative and the body in motion. In this interview, Anadol not only pleases us in describing the creativity and passion behind his work but also enriches the conversation by making spiritual connections to what it means to be a human being.

As Anadol correctly states “when thinking about time-space and past-future, I believe that our physical sensors have incredible potential.” This is exactly what Anadol’s body of work challenges every day: the possibilities and the ubiquitous computing imposed on humankind and what it means to be a human in the age of Artificial Intelligence. One of Anadol’s most groundbreaking creation is for sure Machine Hallucination, where the artist has used 300 million publicly available images of New York City. For the WDCH Dreams exhibition instead, he accessed 100 years of the Los Angeles Philharmonic’s digital archives. In Oakland’s Sense of Place, he worked with real-time environmental data; and for the Charlotte Airport’s Interconnected project, he utilized real-time airport statistics. Refik is the recipient of a great variety of awards including the Lorenzo Il Magnifico Lifetime Achievement Award for New Media Art, the Microsoft Research’s Best Vision Award, German Design Award, UCLA Art + Architecture Moss Award, University of California Institute for Research in the Arts Award, SEGD Global Design Awards, and Google’s Artists and Machine Intelligence Artist Residency Award.

Listen to the Creative Interview Episode Here.

Refik Anadol joins Artistic Directors of Creative Pois-On, Tommaso Cartia and Daniela Pavan, for an intimate conversation where human nature is explored, along with its infinite possibilities and potentialities. Ready, set and imagine with this soulful artist gifted with an extraordinary ability to channel the world surrounding us into dreamy stories sparked with the power of our own imagination.

Tommaso – How did your unique art research start and when did art become such a fundamental part of your life?

Refik Anadol – I think I started my journey very at eight years old when I watched the movie Bladerunner — that movie changed my life. The same year I’ve got my first computer and that was also a very changing experience. I was always dreaming about the near future. I transformed my imagination into a form of art.

Refik Anadol
Refik Anadol in his studio

Daniela – How do you create these very intricated installations?

R – I’m obsessed with data, light, algorithms and recent A.I. intelligence. Eight years ago, I discovered the VVVV software. Without writing a code, you can connect notes and create a meaningful software algorithmic logic to pretty much anything: the sound, the text, the visual, the data eventually.

T — Is it something that is now in development? 

R — It’s been more than fifteen years actually. They mostly use it in Germany, but it’s now all over the world. I’ve been using it for ten years now.

T — You put all of this into Machine Hallucination that it’s now on display at the ARTECHOUSE in NYC. Can you tell us more about it? 

R — I’m very inspired by how we as humans can perceive things and create a memory and dream with that. With A.I., we can now experience this feeling like a narrative, as a new form of cinema. I use mounting memories, adopting the A.I. to visualize our memories, particularly the actual moment of remembering.  I’m trying to combine A.I., neuroscience, and architecture to produce the hallucination of buildings and environments transforming in space and time. I want to display the memory of a building. I think it’s an incredible story and narrative that can inspire and create new ways of imagination. Machine hallucination is the fourth version of this imagination. 

ARTECHOUSE NYC | Machine Hallucination • Artist Insight: Refik Anadol

D Art is a way to tell stories, data and numbers are a way to justify decisions – creativity meets logic… it’s like when the impossible becomes possible. How do you build this bridge?

I’m thinking about these experiences as a cinema, instead of just sculptures or paintings. Memory in the 21st century is also data – our likes, shares and comments, the technology we’re using every day, is a form of memory. This is one of the reasons why this project is letting audiences being inside the story by immersing themselves in it. You’re stepping inside of the machine. It’s not fake and the feeling of stepping inside is honest, is real.

T – It seems to me that your work, speaks, profoundly, about the individuality of the human being and of the universe we live in. When you talk about dreams and hallucinations, are you thinking in a scientific way or a spiritual one? And, how do you personally approach the mystery of the unknown?

R – If you think about memories and dreams, there’s the human soul. And emotions are much more complicated cognitive capacities of the human perception. Spirituality comes from the perception of time. The artwork should be communicated through different emotional impacts. We are surrounded by these machines and constantly moving by algorithms. The big question is, what does it truly mean to be a human in the 21st century? I think that the answer lies in the spiritual connection between humanity and technology.

WDCH Dreams
WDCH Dreams by Refik Anadol

T — What kind of response you got from the audience that really inspires you to progress with your research?

R — In the last three years, I think I’ve touched people in different ways. I’ve emotionally reached people that later sent me some very personal messages. I remember that one time somebody spent 5 hours in the Machine Hallucination exhibit, technically is a half an hour experience. In another installation of mine, Melting Memories, people experience such transformative feelings that they can stay in for three hours, and they don’t want to leave.

For more info on Refik Anadol please visit: www.refikanadol.com